COPE, George, 1855-1929

From Quaker Dictionary

(Difference between revisions)
Jump to: navigation, search
 
(6 intermediate revisions not shown)
Line 20: Line 20:
==Sources==
==Sources==
-
* Pleasants, Henry, Jr., Four Great Artists of Chester County (portrait), 51-60.<br>
+
* [http://tripod.brynmawr.edu/record=b1453512 Pleasants, Henry, Jr. ''Four Great Artists of Chester County'' (N.p.: H. Pleasants, Jr., 1936), 51-60.]<br>
-
* Cope, Gilbert, A Record of the Cope Family, 106.<br>
+
* [http://tripod.brynmawr.edu/record=b1445996 Cope, Gilbert. ''A record of the Cope family: As established in America, by Oliver Cope, who came from England to Pennsylvania, about ... 1682, with the residences, dates of births, deaths and marriages of his descendants as far as ascertained'' (Philadelphia, PA: King & Baird, Printers, 1861), 106.]<br>
-
[[Category:Quakers of Philadelphia]]
 
[[Category:C]]
[[Category:C]]
 +
[[Category:Quakers of Philadelphia]]

Latest revision as of 01:11, 6 August 2007

George Cope
[[Image:{{{image}}}|162px]]
{{{caption}}}
Alternative names:
Gender: M
Birth date: February 1855
Place of birth: Chester County, Pa.
Death date: 15 January 1929
Place of death:
Nationality: US
Meeting:
Branch:
Disowned date:
Spouse(s): Theodora Blair
Children: Muriel Herzog

George Cope (February, 1855 - January 15, 1929) was an artist and teacher from Chester County, Pennsylvania.

Biography

George Cope was born in February, 1855, to Caleb Swayne and Lydia (nee Eldridge) Cope. He was educated at the Copeland School and West Chester Normal School, later studying paiting under Harral Herzog in Philadelphia, Pennsylvania. In 1883, George Cope married Theodora Blair of Philadelphia. The two had two children. Cope travelled throughout the American West c. 1879-1882 and upon his return began to teach drawing at Darlington Seminary. By the 1890's, he became nationally famous for still-lifes in oil, commonly noted for their painstaking attention to detail. In 1894, Cope was commissioned to reproduce in oil the costume equipment of William Cody. In later years, his popularity waned, and he was criticized for sacrificing the intricate detail which was characteristic of his previous work.

Sources

Personal tools